The Third Building.. My Modus Operandi

My modus operandi is definitely….”if at first you don’t succeed….try, try again”.  And boy was it being used when I hooked the third building. Now that it’s finished, I can see that I had several concerns to deal with simultaneously, but I actually only dealt with them one at a time. When one was fixed it was still wrong because of the second problem…..etc. etc.

1.) The door on the top section didn’t make sense, so it came out.DSCN1697

2.) I initially hooked the building with shades of the very light mahogany (pink as it turned out)DSCN1700….I didn’t like the pink effect at all and the perspective was all wrong, I did like the touches of  light purple, so I searched my stash for some light mauve. DSCN1708I quickly realized that didn’t have enough light shades, so off to the dye pots and I dyed some very light violet and ‘cushing’ purple.

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3.) I finally liked the colours, but the shading was wrong for the building to appear with the right angles.  DSCN1703

4.)  The face of the bottom section needed to be darker and some shading at the top right to have part of the wall recede. Top left and bottom sections are one face, so they need to be more the same shadesDSCN1714

Finally the building looked right to me….needed some final touches…

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I made countless other tiny adjustments as I went along  but right or wrong…I’m finally satisfied with it now.

Next step ….the cobble stones…or flag stones…not sure yet what they will be. No doubt I’ll need several tries to be satisfied with them too.

Thanks for stopping by.

 

 

Hooking the Buildings

After completing the arch, I was so happy to move on to the buildings visible in the background. Some time ago, inspired by a post by Gene Shepherd on dyeing very pale tints, I dyed a few small pieces of wool in very pale colours and thought these would provide interest for the buildings, but not compete with the women. Before starting I dyed quite a few more, and had these to choose from.DSCN1696

I dyed these in the microwave, since it is so much easier when you are dyeing small pieces. To set the dye, they can then all be simmered together in clear water and vinegar. I started with 1/256th tsp. of dye in 1cbw (cup of boiling water) then often only added a few tbsp. of the solution to the dye bath. (or you could use the wet toothpick method) I made at least two values of each colour, and also included a strip of undyed natural Dorr for edge highlights. (top left) Dyes used  were, clay, mouse grey, golden pear, mahogany, and violet, plus a couple of unknown left overs that I found in my stash.DSCN1683I wanted the roof of this building to appear to be of tile, and mused about the best way to create that impression. I considered using a light plaid and selectively using the strips, I considered separating rows with a tiny (#2) row of black, and finally decided to simply try this light mottled grey, hooking it in straight lines matching each loop carefully all the way down. Ta dah…the simplest solution worked. (love it when that happens)DSCN1686I chose brown and yellow tones for the next building, with a bit of mottled taupe wool for the door and beams. DSCN1690One row of natural helps to highlight the corner of the building. I’m using quite a bit of antigodlin hooking for this ‘stucco’ and I find it harder on my hands. So….a day of no hooking yesterday and the sore finger feels much better. My plan is to use the mahogany tones for the third building (they turned out peachy pink) . I’m not sure how I’ll like that, but I’ll see what happens.

We had our first major snowstorm of the season last night so it’s a good day to stay in, curl up and hook. ….supervised of course by these two.DSCN1680

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Hands On

Well now I know why I didn’t hook the remaining three hands when I hooked the rest of the maidens nearly a year ago.  They were tricky! …It took me several attempts, a couple of methods and lots of pulling out and trying something different.DSCN1662

Most, if not all of the black outlining will come out eventually, but at the moment it helps keep the shape and makes it easier for me to see the outline.DSCN1671 2

(…sorry…that photo wasn’t fuzzy in the media library.) They are hooked with a #2 cut and finding a black that was thin enough but woven tightly enough to cut that thin, took me several tries. (Shirley, a piece of your black suit worked really well) The hands themselves are Dorr wool which I dyed myself, and it cuts into a #2 strip well, but a lot of wool is just too loosely woven to cut into such a tiny strip (2/32 ” wide)DSCN1672DSCN1669

They look pretty awful up close like that, but from a distance, not so bad. I’m sure there will still be tweaking to do, but I’ll wait until the background is in.DSCN1665

Back to finishing the arch now, and trying to find the  wool I used for the plants so I can add more greenery.

It’s late fall here in central Ontario, lots of leaves still on the tress, but we’ve had several skiffs of snow with more expected this weekend.  The steely grey November skies are often overhead already  so it’s nice to snuggle up with my hooking while watching curling, or baseball, or hockey, or  basketball …(lots of sports to choose from at the moment, and a great time to be a Raptors or Leafs fan).

….back to my curling game and hooking frame….

Thanks for stopping by.

Catching Up

It has been several months since I last posted, the longest gap in all the years I’ve been recording my hooking adventures here. With fall well under way and a skiff of snow on the ground this morning, it’s time for me to get rejuvenated and re-enthused about hooking.

While I did very little hooking in the past few months, I did complete my Prairie Sky, framed it, and gave it to my son and daughter-in-law when they visited at Thanksgiving.DSCN1618

Since they are in the process of relocating from the prairies to Ontario, it also seems an appropriate reminder of home.

I’ve  noticed several people on facebook asking recently about how to frame a piece of hooking and as you might expect there are quite a variety of methods. I’m certainly no expert, having only framed two of my pieces, but this is how I completed this piece. I seldom hook a border, so I wanted to set off the hooking  by using matting around the edges. (I decided to record it here so that I can remember what I did. )

  1. thoroughly steam and block  the piece so that it was an accurate rectangle
  2. purchased a frame that was larger than my hooked piece, and matting slightly bigger than the frame
  3. I had the matting cut to exactly fit the size of the hooking
  4. purchased foam board to back the hooking and cut it to fit the hooking
  5. stretched the hooking over the foam board by lacing with very strong ‘thread’ (I actually unravelled strands of  rug warp and used that)DSCN1614…here it is underway
  6. when finished I clipped the ends to about 3″ and glued them to adjacent strands making a neat back (which no one will ever see)
  7. I removed and discarded the glass from the frame, and popped the hooking through the matting.
  8. I used strong tape on the back to hold the hooking even against the matting, then added the cardboard filler and finished back of the frame.

I’m sure that’s neither the best nor most efficient way to do it, but it worked to my satisfaction.

Now it’s back to my unfinished ‘Virgins’.DSCN1652I am determined to compete the arch before going on to the village, and I’ve actually hooked quite a bit of the light left hand section in the past few days. I still have lots to go , as you can see, and I’m being very careful not to waste any wool, so that I will have enough. Much of it was left over from the background of my ‘stacked log cabin’ piece, and I’m even cutting down my left over #8 strips.DSCN1654DSCN1658….now I’m using #3, so while a bit fiddley….it works well.DSCN1659

…one strip ….DSCN1660….becomes 3 (or 2….depending)

I’ve also come to a decision about one of the dilemmas holding me back in this piece…..the sky! According to the parable , it must be either night, or at least evening. I’ve made the arch dark, and a night sky would not look good against that at all. (didn’t plan that ahead very well!) So…..my solution (at this point anyway) is to ditch the parable, and the lamps the ladies are holding, and leave myself the option of any sky colour I want. Now it’s just two medieval maidens! DSCN1653

I feel better already!

Now if I can just find that flesh coloured wool to complete the two hands…….

Thanks for stopping by.

 

Learning as I Go

When I began The Virgins, my excitement and interest was in hooking the figures themselves. I gave very little thought to the background, with only a  variety of hazy ideas as possibilities. DSCN1466

Of course I ended up settling on having the women stand in an arch (see previous posts for details of the decision) and true to my nature, forged blissfully ahead, trusting I could eventually figure out how to do it.

I am very much a visual learner, so there is a lot of trial and error in my hooking. Creating the arch and wall has really been a prime example of that. My last post dealt with figuring out the colours and style of hooking for it and last week I was pulled up short when I realized I had completely overlooked the need for an inside corner where the arch meets the wall. DSCN1498

This meant searching out and looking at the perspective and the angles required for an inside corner,. This was  followed by some loop removal and redrawing of stones. DSCN1507Oops…that corner needs to extend further….DSCN1508

…better, but still not right. That shadow needs to follow the curve of the arch right down. I just realized now as I was writing this and looking at the photo…..that I may have to redo all the stones above the arch as well so that the whole thing doesn’t fall on their heads! (I’m learning some facts about masonry as I go!) Then I’ll have to reverse the whole thing for the other side.

….and I thought doing the figures would be the hard part!

Thanks for stopping by.

PS…after conferring with my resident building expert…I learned that the arch is safe. It gets its strength from the pressure of the walls pressing in from the sides. Whew!…no crushed virgins!

Building That Wall

It seems Trump isn’t the only one having trouble building a wall. Figuring out how I wanted to hook the walls and arch in my ‘Two Virgins’ piece stopped my progress for a few weeks.

From past experience, I know that I have to see something before I’m sure it works for me. My minds eye certainly isn’t always reliable. This time it took several tries to capture the effect I wanted, and I had to accept several compromises  along the way.DSCN1469…two cuts and styles tried here and an attempt to catch the corner highlight……nope!DSCN1473….a 6 cut and straight lines…..nope!  ….but I liked the effect of the cornerDSCN1496 2….a 6 cut, straight lines and a much lighter wool (thinking of marble at this point)….then tried the arch in a 3 cut and a variety of mixed , darker colours.

At this point, I shared my dilemma with my friend Jean who liked  the arch  best…(as did I)  so on to further experiment with wall options….now using a 3 cut and antigodlin hooking.DSCN1498.Hummmm I like the left, the right is too light.

whew!

…so all the attempts came out and I’m finally on my way with the wall and arch.DSCN1503It’s a large area, and a small cut, so I think I’m set with enough hooking to keep myself busy while watching the olympics next month.

I sometimes get frustrated and think ‘will I ever  come up with the effect I want’, but its so exciting when I finally can look at my work and say “Yes! That’s what I was after.”

The compromises I mentioned…..1.) now a lighter sky colour to figure out

2.) lots more work using a 3cut rather than a 6 and antigodlin hooking rather than straight lines.

…….both incidental since I’m pleased with the effect.

If at first you don’t succeed…..

Thanks for stopping by

Revisions and Background decisions

Have you ever noticed something in your work that you didn’t like, and suddenly that’s all that you can see? Well that’s what happened to me with my wise virgin. I noticed that her breasts were decidedly lopsided. DSCN1422The poor girl needed radical surgery, and for my peace of mind, she needed it at once.DSCN1423

Lots of fiddling about  was needed. It’s surprising how much is involved to move that small section down a bit,  but finally she looks much better.

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The other area of struggle has been the centre of the left side of her skirt (my left).  She’s holding it back, but it just looks like a mish mash. I reduced the light section to see if that helped….DSCN1435….and it does, especially when viewed from a distance, but I’m still not satisfied with it. It will get makeover later when I have a better idea of what I want to do with it.

I love the wild head of hair on this lady , and wanted to do it justice. My first choice of colours was too drab and bah, …..DSCN1442 2so I dug in my bits and pieces for something to give it more pizazz., and I came up with thisDSCN1443

I like how just the hints of orange and pink bring her hair to life…DSCN1440DSCN1439 In the meantime, the background  has been on my mind. I had several ideas, including being on a path with a misty background, a medieval castle in the background, doing a total disconnect with an abstract background of some sort…or?…. Then for some reason, I thought of having them stand in an arch, and immediately went in search of ideas for an “arch to suit”.  These three caught my eye…..DSCN1445DSCN1444DSCN1446

To find out how it might look, I cut out pictures of two left over virgins (not the ones I chose to use) ….DSCN1447….then posed them in front of the arches…..Arch number two I eliminated right away. Down to this one….DSCN1419…..or this one….DSCN1420……and the winner is this last one.  I like the stone blocks, and the greenery hanging down.

I have no intention of doing anything more than use the basic ideas and shapes, (I think the car would really spoil the effect don’t you?)    The potential sky colour is another problem  to solve  in the future, but I am having so much fun with this. Gee I love rug hooking!

Thanks for stopping by.

 

Virgin Update

…..A little update on this piece….Progress is slow with using just a #2 and #3. …(and not really knowing what I’m doing…so several pull outs along the way)DSCN1415

  1. …did some over dyeing on a piece that was too blue. ….added some Mallard green DSCN1407 ….and even got to hang it outside to dry……(nearly November when this was taken…and the hanging basket is still in bloom)DSCN1410

2. Then snuggled up in my little “hooking corner”….with my usual “hooking clutter”

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and now ….I’ve gotten this far…..DSCN1415

Oh yes….and I’m considering the background. At this point I’m thinking of having them stand in front of a medieval arch….downloaded some examples….and have lots of sketching and making cutouts to see if I can make it work.

Lots of rain in the forecast for us….so indoors and hooking seems like a good idea. (November is my least favourite month).

Thanks for stopping by.

Compromise

In my last post, I was all set to forge ahead with the second virgin’s dress using turquoise and cantaloupe. I wasn’t sure if it would work….DSCN1391 I hooked just a small amount and wasn’t happy with it. I felt that it not only had no connection with the rest of the piece, but it was too bright and dominated far too much.

On the other hand….if I continued, it would be surrounded by lots of turquoise, which might well tone it down . DSCN1387I thought about another option….If I used a pink, it would tie the two costumes together and make the whole thing more harmonious.DSCN1386

I considered these two options for several days. The first was more disconnected than I wanted, the second more harmonious than I wanted.

Eventually I came up with a compromise. I overdyed the pinks with prochem raspberry, which kept the “pink idea” but changed the colour and shade from the one used in the first dress.DSCN1399

Still lots of dyeing to do and the dress details need to be refined, but I think I’m pleased with this compromise colour solution.

Now if I could just take a photo that was in focus,…. (I never seem to notice until it’s up on the computer and too late to get another shot).

Thanks for stopping by and looking at my “fuzzy” hooking.

 

 

Learning Through Doing

For me, I like every every project I do to present me with a learning experience and a challenge.   Ultimately if I am successful…(at least in my eyes), I derive a great sense of satisfaction in achieving what I set out to do.DSCN1373

To that end, creating the detailed clothing on the two virgins is a new experience for me, and as usual, some of what I tried , I liked, and some….nope…not at all!  I tried two different approaches on the foolish virgin. For the green portion of the dress, I began with dip dyes (I could have used swatches, but dip dyeing is much easier for me to do). I then cut them into several sections giving me a range from dark to light.  I ripped out that effort since there wasn’t enough variation  to be effective.  I then rehooked it using some much darker green, and a much lighter one (almost yellow) to create the highlights and folds, and was then more pleased with the results. DSCN1385The extremes I used very sparingly, but they made all the difference.

I tried a totally different colour approach for the fuchsia portion of the gown. DSCN1376I did a spot dye using  Majic Carpet red violet, and Primary Fusion #12  (which uses Pro Chem magenta, blue, and black). Then I went through my stash and found all the bits and pieces that went with that. I had a good range of values, though not necessarily matching exactly  in hue. The primary colour is the dip dye and I really like the highlights that it creates in the dress.

My pattern is taken from a 1500’s etching, (with no colour) and the next thing I learned, was that all the lines in the etching don’t necessarily translate well when using colour. I started the fuchsia section of the gown by outlining the lines in the etching in a dark value, and soon realized that many of them made no sense to me and looked ridiculous. I eliminated the vast majority, and went mostly by my own idea of where there might be folds and shadows. There is still one line on the floor section of the train that I will remove, and use a bit lighter colour the fill in that area (and I won’t use a straight line).DSCN1374

So with that bit of experience under my belt, I’m ready now to tackle the gown of the wise virgin. I’ve got two colours ready to go….a spot dye using Pro Chem seabreeze and mallard green, DSCN1382 (I  did 3 versions from dark to light), plus a couple of pieces that I had that went with that.  (for some reason the camera bled the green out of the far blue….it actually goes with the rest much better than this photo shows) The second colour is primarily a cantaloupe and mustard spot dye  done over both natural and oatmeal. DSCN1379I have no idea if this will work, but I’m set to try.

The other thing I’ve learned is that I’m either a lousy photographer, or have a lousy camera when it comes to colour (or maybe both).

Thanks so much for stopping by.